The Folio Society has released a gorgeous edition of William Golding’s classic novel with paintings by Sam Weber. Unfortunately, it is only available to members and the entry fee ain’t cheap.
While we’re on the subject of lurid pulp covers, here’s a link to a gorgeous (albeit small) gallery of Plan 9 and Glen or Glenda director Ed Wood, Jr.’s pulp covers.
The Killer in Drag cover seems misleading: at best, that is a killer in post-operative transsexuality, not drag. And given the cover copy for Satan, Demons and Dildoes — “A journey into the darkness of man’s soul!” — the unwary reader, expecting the dildonic probing of the redhead on the cover, might instead have been exposed to a cautionary tale about pegging.
If I had to pick a favorite, though, it’s this one: Watts… The Difference. The title punningly attempts to reference the recent Watts Race Riots, but the book itself seems to have had a very different plot, according to this Ed. Wood Jr. bibliography: “A series of flashbacks as a Hollywood cowboy actor and his lover reminisce. While not a transvestite-themed novel, one of the main characters does have an angora fetish.”
Other novels that Ed Wood wrote include such luminous titles as The Sexecutives, Night Time, Lez and the unforgettable It Takes A Homo.
Stunning bookcases by Daniel Loves Objects; your tomes encased in the silhouettes of towering missiles balanced on the backs of golden, AK-47 toting toy soldiers, frozen in time as they march off to face the enemy. I’m not sure how functional something like this would be, but then again I don’t particularly care, either.
I am thrilled by machinery’s force, precision and willingness to work at any task, no matter how arduous or monotonous it may be. I would rather watch a thousand ton dredge dig a canal than see it done by a thousand spent slaves lashed into submission. I like machines.
- Boris Artzybasheff
I’ve featured the work of the late Boris Artzybasheff severaltimes in these pages so I was delighted when I found out that Titan Books was going to be reprinting his collect As I See. Having scrutinized every thick, glossy page I highly recommend it to anyone who has a taste for Artzybasheff’s particular brand of madness.
Tenggren’s illustrations for Grimm’s Fairy Tales very much remind me of one of my favorite illustrators, Arthur Rackham; in fact the stunted, dead trees in the illustration on the left look exactly like the prototypical Rackham tree. The Little Red Riding Hood illustration on the right shows Tenggrens ability to convey mood with a minimum of detail — something that is at work in a number of the other plates from this book — with the titular protagonist dwarfed by the elephantine trunks of the forest trees. Make sure to take a look at the rest.
Some preliminary sketches by Koldo Barroso for his tentatively titled book Portraits from the Dreamlands: A Guide to Creatures from the Dream World.
The Boombakaboomkers are creatures who run and play their drums all along the dream lands to find anything you want that you once lost. They take shapes from the spirits of different animals and always come to help you when they’re called.
I am an especially big fan of Boom-baKahog, its face comprised almost entirely of an enormous proboscis.
I enjoyed Chuck Palahniuk’s first four novels immensely, especially Survivor which remains his high point thus far. However, his books since Choke have been, shall we say, awful. His last novel was so bad that I didn’t even bother to finish it even though I was past the one hundred page mark which is the point of no return for me, after which I force myself to finish the book no matter how painful it may be.
All of that said, I am cautiously optimistic — or impossibly dense, take your pick — about his next novel, entitled Snuff, about an aging porn actress named Cassie Wright, who is attempting to break the record for the world’s largest gangbang but winds up dying in the process (didn’t see that one coming did you, what with the book’s title and all). This is regardless of the fact that the review from Publisher’s Weekly, which is on the Amazon product page, unenthusiastically proclaims:
There are sharp moments when Palahniuk compassionately and candidly examines the flesh-on-film industry, but mostly this reads like a cross between the Spice Channel and Days of Our Lives.
Doubleday is betting that you won’t care or don’t read Publisher’s Weekly or Amazon before you reflexively hit the Pre-Order button and to help advertise it have given Cassie Wright her own myspace page, complete with this kitschy trailer for one of her films, The Wizard of Ass with the promise of two more coming soon. No doubt I will be picking it up, if only for the probability of repetitive, descriptive lists of sexual acts and porn etiquette.
No nudity but still may be unsafe for your workplace. Time to get a job that allows you to view Ectomo without fear of reprisal!
In sheer defiance of the World Wide Web Consortium's will, Ectomo was designed using a non-web-standard font. Luckily, it is included in the excellent font pack released by the H.P. Lovecraft Historical Society, which can be freely downloaded in Mac and PC formats here. Ectomo should still look fine without it, though.